{"id":234,"date":"2016-07-29T13:53:49","date_gmt":"2016-07-29T13:53:49","guid":{"rendered":"http:\/\/matsyendranatha.com\/?p=234"},"modified":"2016-07-29T13:54:24","modified_gmt":"2016-07-29T13:54:24","slug":"vijnanabhairava-tantra-shloka-35","status":"publish","type":"post","link":"https:\/\/matsyendranatha.com\/?p=234","title":{"rendered":"Vij\u00f1\u0101nabhairava-tantra (Shloka 35)"},"content":{"rendered":"<p><span style=\"font-weight: 300;\"><strong>Verse 35<em>, Vij<\/em><\/strong><strong><em>\u00f1\u0101nabhairava-tantra<\/em><\/strong><\/span><\/p>\n<p><span style=\"font-weight: 300;\"><strong><em><\/em><\/strong>Summary of discussion on Vijnana-bhairava-tantra made by Guru Yogi Matsyendranath and Rev. John Dupuche<\/span><\/p>\n<p><span style=\"font-weight: 300;\">\u201cThe central channel stands at the centre like the stem of a lotus. By meditating on this space within, the God shines forth, because of the Goddess.\u201d<\/span><\/p>\n<p><span style=\"font-weight: 300;\">\u092e\u0927\u094d\u092f\u0928\u093e\u0921\u0940 \u092e\u0927\u094d\u092f\u0938\u0902\u0938\u094d\u0925\u093e \u092c\u093f\u0938\u0938\u0942\u0924\u094d\u0930\u093e\u092d\u0930\u0942\u092a\u092f\u093e\u0964<br \/>\n<\/span><span style=\"font-weight: 300;\">\u0927\u094d\u092f\u093e\u0924\u093e\u0928\u094d\u0924\u0930\u094d\u0935\u094d\u092f\u094b\u092e\u092f\u093e \u0926\u0947\u0935\u094d\u092f\u093e \u0924\u092f\u093e \u0926\u0947\u0935\u0903 \u092a\u094d\u0930\u0915\u093e\u0936\u0924\u0947\u0965 \u0969\u096b\u0965<\/span><\/p>\n<p><em>madhyan\u0101\u1e0d\u012b madhyasa\u1e41sth\u0101 bisas\u016btr\u0101bhar\u016bpay\u0101 |<br \/>\n<\/em><em style=\"font-weight: 300;\">dhy\u0101t\u0101ntarvyomay\u0101 devy\u0101 tay\u0101 deva\u1e25 prak\u0101\u015bate<\/em><em style=\"font-weight: 300;\">|| 35 ||<\/em><\/p>\n<p><span style=\"font-weight: 300;\">This <\/span><em style=\"font-weight: 300;\">\u015bloka<\/em><span style=\"font-weight: 300;\"> is concerned with the context in which the Goddess can be effective. \u00a0She is the major operative force in his <\/span><em style=\"font-weight: 300;\">\u015bloka<\/em><span style=\"font-weight: 300;\">. It is because of her that the God becomes evident.<\/span><\/p>\n<p><strong>The first line of the \u00a0<\/strong><strong><em>\u015bloka<\/em><\/strong><strong> gives a set of balances.<\/strong><\/p>\n<p><span style=\"font-weight: 300;\">1. The first is between the left (<\/span><em style=\"font-weight: 300;\">i\u1e0d\u0101 <\/em><span style=\"font-weight: 300;\">) and right (<\/span><em style=\"font-weight: 300;\">pi\u1e45gal\u0101<\/em><span style=\"font-weight: 300;\">) channels of the body.\u00a0 <\/span><em style=\"font-weight: 300;\">I\u1e0d\u0101 <\/em><span style=\"font-weight: 300;\">is described as \u2018white\u2019, \u2018feminine\u2019, \u2018cold\u2019, and represents the \u2018moon\u2019 while <\/span><em style=\"font-weight: 300;\">pi\u1e45gal\u0101<\/em><span style=\"font-weight: 300;\"> is described as \u2018red\u2019, \u2018masculine\u2019, \u2018hot\u2019, and represents the \u2018sun\u2019. The channels start from the base chakra (<\/span><em style=\"font-weight: 300;\">m\u016bl\u0101dh\u0101ra<\/em><span style=\"font-weight: 300;\">), cross from side to side of the body, and finally meet at the point between the eye-brows (<\/span><em style=\"font-weight: 300;\">\u0101j\u00f1\u0101<\/em><span style=\"font-weight: 300;\">). The subtle-breath (<\/span><em style=\"font-weight: 300;\">pr\u0101\u1e47a<\/em><span style=\"font-weight: 300;\">) circulates through them.<\/span><\/p>\n<p><span style=\"font-weight: 300;\">Between <\/span><em style=\"font-weight: 300;\">i\u1e0d\u0101<\/em><span style=\"font-weight: 300;\"> and <\/span><em style=\"font-weight: 300;\">pi\u1e45gal\u0101<\/em><span style=\"font-weight: 300;\"> is the central channel (<\/span><em style=\"font-weight: 300;\">madhyan\u0101\u1e0d\u012b<\/em><span style=\"font-weight: 300;\">) which is called \u00a0\u00a0<\/span><em style=\"font-weight: 300;\">su\u1e63umn\u0101<\/em><span style=\"font-weight: 300;\">. It is where the left and right channels balance their energies.<\/span><\/p>\n<p><span style=\"font-weight: 300;\">The <\/span><em style=\"font-weight: 300;\">Spandak\u0101rik\u0101<\/em><span style=\"font-weight: 300;\">, another of the texts of Kashmir Shaivism, associates the practice of this <\/span><em style=\"font-weight: 300;\">\u015bloka<\/em><span style=\"font-weight: 300;\"> with the outward (<\/span><em style=\"font-weight: 300;\">pr\u0101\u1e47a<\/em><span style=\"font-weight: 300;\">) and inward (<\/span><em style=\"font-weight: 300;\">ap\u0101na<\/em><span style=\"font-weight: 300;\">) breaths. The contrasting forces of exteriority and interiority are balanced. Persons with an extrovert nature, if not balanced by a sense of interiority, become bombastic. Likewise persons with an excessively introvert character lose touch with reality. A balance of outward (<\/span><em style=\"font-weight: 300;\">pr\u0101\u1e47a<\/em><span style=\"font-weight: 300;\">) and inward (<\/span><em style=\"font-weight: 300;\">ap\u0101na<\/em><span style=\"font-weight: 300;\">) is necessary. \u00a0A balanced personality will be both self-aware and outer-aware.<\/span><\/p>\n<p><span style=\"font-weight: 300;\">From another yogic viewpoint, the balance of the <\/span><em style=\"font-weight: 300;\">pr\u0101\u1e47a<\/em><span style=\"font-weight: 300;\"> and <\/span><em style=\"font-weight: 300;\">ap\u0101na<\/em><span style=\"font-weight: 300;\"> lead to the from of subtle breath called <\/span><em style=\"font-weight: 300;\">sam\u0101na<\/em><span style=\"font-weight: 300;\"> (\u2018equality\u2019, \u2018evenness\u2019) and from this comes the \u2018upward rising subtle-breath\u2019 (<\/span><em style=\"font-weight: 300;\">ud\u0101na<\/em><span style=\"font-weight: 300;\">) which in turn leads to the <\/span><em style=\"font-weight: 300;\">vy\u0101na<\/em><span style=\"font-weight: 300;\"> and the full flowering, the energizing of the all the centers, and faculties, so that in the end the whole person is empowered.<\/span><\/p>\n<p><span style=\"font-weight: 300;\">It is also the state of <\/span><em style=\"font-weight: 300;\">bhairavamudr\u0101<\/em><span style=\"font-weight: 300;\"> where inner and outer coincide. When Bhairava looks within himself he sees the whole world, since all things proceed from him. If he looks at the world outside he recognizes it as his very self.<\/span><\/p>\n<p><span style=\"font-weight: 300;\">2. The second balance is between upper and lower. The image is that of the lotus stalk (<\/span><em style=\"font-weight: 300;\">bisa-s\u016btra<\/em><span style=\"font-weight: 300;\">), which comes out of the mud, rises and flowers on the surface of the water. The stalk links lower and upper, immanence and transcendence, the transience (<\/span><em style=\"font-weight: 300;\">sa\u1e41s\u0101ra<\/em><span style=\"font-weight: 300;\">) of water and the infinity of space. Both upper and lower are present, neither is rejected.<\/span><\/p>\n<p><span style=\"font-weight: 300;\">The stalk is a tube, and therefore is empty in its inmost core. This is the <\/span><em style=\"font-weight: 300;\">su\u1e63umn\u0101,<\/em><span style=\"font-weight: 300;\"> the central channel, which is not anatomically visible but is experienced in the body, particularly along the spine.<\/span><\/p>\n<p><strong>The first half of second line of the <\/strong><strong><em>\u015bloka<\/em><\/strong><strong> describes the practice<\/strong><\/p>\n<p>The practitioner meditates (<em>dhy\u0101t\u0101<\/em>) on the emptiness (<em>vyoman<\/em>) of the \u2018stalk\u2019 within himself (<em>antar<\/em>), located between right and left, between base and height. In this way he ensures there is openness and freedom; he makes sure there is neither rejection nor control.<\/p>\n<p><strong>The second half of second line of the <\/strong><strong><em>\u015bloka<\/em><\/strong><strong> describes the result<\/strong><\/p>\n<p>As a result the Goddess is free to function. She becomes active and energetic, and under her influence (<em>devy\u0101<\/em>) the <em>su\u1e63umn\u0101<\/em> becomes a place of movement, as the energy unfurls from the base (<em>m\u016bl\u0101dh\u0101ra<\/em>) to the highest level, to the thousand-petalled lotus (<em>sahasr\u0101ra<\/em>) at the crown of the head. The goddess rises spontaneously and brings the practitioner to fullness of knowledge. Because of her (<em>tay\u0101<\/em>) the God (<em>deva\u1e25<\/em>) shines forth (<em>prak\u0101\u015bate<\/em>).<\/p>\n<p>It is then that the practitioner realizes he is not just like \u015aiva but is \u015aiva. \u00a0He is full of light, he is light.<\/p>\n<p>&nbsp;<\/p>\n<p><em>\u00a0<\/em><\/p>\n<p>&nbsp;<\/p>\n<p><strong><em><br \/>\n<\/em><\/strong><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Verse 35, Vij\u00f1\u0101nabhairava-tantra Summary of discussion on Vijnana-bhairava-tantra made by Guru Yogi Matsyendranath and Rev. John Dupuche \u201cThe central channel stands at the centre like the stem of a lotus. 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