{"id":493,"date":"2018-05-31T00:31:05","date_gmt":"2018-05-31T00:31:05","guid":{"rendered":"http:\/\/matsyendranatha.com\/?p=493"},"modified":"2018-06-01T12:22:21","modified_gmt":"2018-06-01T12:22:21","slug":"cakras-adharas-lak%e1%b9%a3yas-and-vyomas-in-the-yogic-texts","status":"publish","type":"post","link":"https:\/\/matsyendranatha.com\/?p=493","title":{"rendered":"Cakras, adharas, lak\u1e63yas and vyomas in the yogic texts"},"content":{"rendered":"<p>Such elements as <em>cakras<\/em>, <em>adharas<\/em>, <em>lak\u1e63yas <\/em>and <em>vyomas <\/em>are not always clearly described in the Natha texts and Tantras. Therefore, it is often necessary to use different texts for &#8220;complementarity.&#8221; There is another perfect way, the presence of a knowledgeable <em>guru<\/em>, who can explain everything and transmit it. However, it is extremely difficult to find such <em>gurus<\/em>. It is obvious from lots of texts that these elements of tantric <em>yoga<\/em> are transmitted to the disciple by a <em>guru,<\/em> who are realised in them. So, for example, the<em> Pranatoshini-tantra<\/em> (in the section of <em>guru-tattva<\/em>) describes these elements:<\/p>\n<p>\u0937\u091f\u094d\u091a\u0915\u094d\u0930\u0902 \u0937\u094b\u0921\u0936\u093e\u0927\u093e\u0930\u0902 \u0924\u094d\u0930\u093f\u0932\u0915\u094d\u0937\u0902 \u0935\u094d\u092f\u094b\u092e\u092a\u091e\u094d\u091a\u0915\u092e\u094d |<br \/>\n\u0938\u094d\u0935\u0926\u0947\u0939\u0947 \u092f\u094b \u0935\u093f\u091c\u093e\u0928\u093e\u0924\u093f \u0938 \u0917\u0941\u0930\u0941\u0903 \u0915\u0925\u093f\u0924\u094b \u092c\u0941\u0927\u0948\u0903<\/p>\n<p><em>\u1e63a\u1e6dcakra\u1e43 \u1e63o\u1e0da\u015b\u0101dh\u0101ra\u1e43 trilak\u1e63a\u1e43 vyomapa\u00f1cakam |<br \/>\n<\/em><em style=\"font-weight: 300;\">svadehe yo vij\u0101n\u0101ti sa guru\u1e25 kathito budhai\u1e25 ||<\/em><\/p>\n<p><em>Six cakras, sixteen pillars, three goals (in yoga) and five vyomas are known (realised) in the body [of a disciple], that is connected with a guru.<\/em><\/p>\n<p>Also, there are six streams or ways of opening of <em>Paramashiva<\/em> (\u0937\u0921\u0927\u094d\u0935\u093e <em>\u1e63a\u1e0dadhv\u0101<\/em>) added to these elements. They play a big role in the tantric initiation (<em>diksha<\/em>), when the <em>g<\/em><em>uru<\/em> places them in the disciple\u2019s body, awakens them in him, actually transmitting that he has realised already in himself. Therefore, a disciple adopts the psychophysical realisation of his <em>guru<\/em>. A disciple must perceive the transmission of these elements from the <em>guru<\/em> as the very revealing of <em>Shiva<\/em>. The revealing of <em>Shiva<\/em>, who is <em>v\u0101caka<\/em> (expressing speech) and <em>v\u0101cya<\/em> (expressed) \u2013 <em>Shakti<\/em>. They are both revealed on three levels: the higher \u2013 <em>par\u0101<\/em> (or <em>abheda<\/em> \u2013 apart from the differences), <em>par\u0101para<\/em> \u2013 the combination of the higher and the lower or the <em>bhed\u0101bheda<\/em> (one in discrimination) and <em>a<\/em><em>para<\/em> \u2013 the lowest or <em>bheda<\/em> (separate). At the highest level, <em>Shiva<\/em> manifests as <em>var\u1e47a<\/em> (the <em>Sanskrit<\/em> letters), and <em>Shakti<\/em> \u2013 as <em>kal\u0101<\/em> (the five forms of primordial energy). At the <em>par\u0101para<\/em> level, <em>Shiva<\/em> manifests as a <em>mantra<\/em> and <em>Shakti<\/em> at the same level \u2013 as <em>tattva<\/em>, one of the 36 elements of Shaivism. At the level of <em>apara<\/em>, <em>Shiva<\/em> manifests himself as a <em>pada<\/em> (words) and <em>Shakti<\/em> appears as <em>bhuvana<\/em> (worlds). In a word, the entire manifested universe is the expression of the union of <em>Shiva<\/em>&#8211;<em>Shakti<\/em>. The <em>s<\/em><em>hadadhvas<\/em> are used in many practices, one of the well-known examples can be found in the <em>Vij\u00f1\u0101na-bhairava-tantra <\/em>(<em>Shloka<\/em> 56), they are also mentioned in the<em> Amaraugha-shasana<\/em> by <em>Gorakshan\u0101th<\/em> in the context of <em>pr\u0101\u1e47a<\/em> movement and the awakening of <em>ku\u1e47\u1e0dalin\u012b<\/em>&#8211;<em>shakti<\/em>.<\/p>\n<p>Regarding the remaining elements, the<em> Pranatoshini-tantra<\/em> gives the following explanations:<\/p>\n<p>\u092a\u0943\u0925\u093f\u0935\u094d\u092f\u093e\u0926\u0940\u0928\u093f \u092d\u0942\u0924\u093e\u0928\u093f \u0915\u0925\u093f\u0924\u0902 \u0935\u094d\u092f\u094b\u092e\u092a\u091e\u094d\u091a\u0915\u092e\u093f\u0924\u093f<br \/>\np\u1e5bthivy\u0101d\u012bni bh\u016bt\u0101ni kathita\u1e43 vyomapa\u00f1cakamiti<\/p>\n<p>Starting from the ground, the five elements are known as the five <em>vyomas<\/em>. The <em>Tantr\u0101loka<\/em> (<em>Ahnika<\/em> 29, <em>Shloka<\/em> 252) says about five centers, where the five <em>vyomas<\/em> manifest:<\/p>\n<p>\u0935\u094d\u092f\u094b\u092e\u093e\u0928\u093f &#8211; \u091c\u0928\u094d\u092e\u0928\u093e\u092d\u093f\u0939\u0943\u0926\u094d\u0935\u093f\u0928\u094d\u0926\u0941\u0938\u094d\u0925\u093e\u0928\u093e\u0928\u093f<br \/>\nvyom\u0101ni &#8211; janman\u0101bhih\u1e5bdvindusth\u0101n\u0101ni<\/p>\n<p>The following are connected with the <em>vyomas<\/em>: 1) <em>janma-sth\u0101na<\/em> (<em>m\u016bl\u0101dh\u0101ra<\/em>), 2) <em>n\u0101bhi<\/em> (<em>ma\u1e47ip\u016bra<\/em>), 3) <em>h\u1e5bdaya <\/em>(<em>an\u0101hata<\/em>), 4) <em>bindusth\u0101na<\/em> (usually, <em>bhr\u016bmadhya<\/em> or <em>\u0101<\/em>j\u00f1\u0101) and 5) <em>sahasr\u0101ra<\/em>. Obviously, the earlier system of the five <em>cakras<\/em>, known in the<em> Kubjik\u0101-tantras <\/em>for examples, corresponds to the yogic experience of five spaces. Although they are described differently in the <em>Upani\u1e63adas<\/em> (the<em> Ma\u1e47\u1e0dalabr\u0101hma\u1e47a-upani\u1e63ad<\/em>, the<em> Advaya-taraka-upani\u1e63ad<\/em>) or in the<em> Siddha-siddh\u0101nta-paddathi.<\/em><\/p>\n<p>The<em> Pranatoshini<\/em><em>-t<\/em><em>antra<\/em> gives explanations of the three <em>lak\u1e63yas<\/em>:<\/p>\n<p>\u0924\u094d\u0930\u093f\u0932\u0915\u094d\u0937\u093e\u0926\u093f\u0915\u092e\u092a\u093f \u0924\u0924\u094d\u0930\u0948\u0935 \u0938\u094d\u0935\u092f\u092e\u094d\u092d\u0942\u0930\u094d\u0935\u093e\u0923 \u0907\u0924\u0930\u0938\u094d\u0924\u094d\u0930\u093f\u0932\u0915\u094d\u0937\u0902 \u092a\u0930\u093f\u0915\u0940\u0930\u094d\u0924\u094d\u0924\u093f\u0924\u092e\u094d<br \/>\ntrilak\u1e63\u0101dikamapi tatraiva svayambh\u016brv\u0101\u1e47a itarastrilak\u1e63a\u1e43 parik\u012brttitam<\/p>\n<p><em>The three goals of meditation are known as svayambh\u016b (li\u1e45ga), vana and itara (li\u1e45gamas).<\/em><\/p>\n<p><em>Six cakras are described similarly to many texts, but in the Pranatoshini<\/em><em>-t<\/em><em>antra they being reunited with the dv\u0101da\u015b\u0101nta system (subtle centers and spaces in the head area), give 16 adharas in total.<\/em><\/p>\n<p>\u0937\u094b\u0921\u0936\u093e\u0927\u093e\u0930\u0938\u094d\u0935\u0930\u0942\u092a\u092e\u092a\u093f \u0924\u0924\u094d\u0930\u0948\u0935 ||<br \/>\n\u092e\u0942\u0932\u093e\u0927\u093e\u0930\u0938\u094d\u0935\u093e\u0927\u093f\u0937\u094d\u0920\u093e\u0928\u0902 \u092e\u0923\u093f\u092a\u0942\u0930\u092e\u0928\u093e\u0939\u0924\u092e\u094d |<br \/>\n\u0935\u093f\u0936\u0941\u0926\u094d\u0927\u092e\u093e\u091c\u094d\u091e\u093e\u091a\u0915\u094d\u0930\u091e\u094d\u091a \u092c\u093f\u0928\u094d\u0926\u0941\u0930\u094d\u092d\u0942\u092f\u0903 \u0915\u0932\u093e\u092a\u0926\u092e\u094d |<br \/>\n\u0928\u093f\u092c\u094b\u0927\u093f\u0915\u093e \u0924\u0925\u093e\u0930\u094d\u0926\u094d\u0927\u0947\u0928\u094d\u0926\u0941\u0930\u094d\u0928\u093e\u0926\u094b \u0928\u093e\u0926\u093e\u0928\u094d\u0924 \u090f\u0935 \u091a |<br \/>\n\u0909\u0928\u094d\u092e\u0928\u0940 \u0935\u093f\u0937\u094d\u0923\u0941\u0935\u0915\u094d\u0924\u094d\u0930\u091e\u094d\u091a \u0927\u094d\u0930\u0941\u0935\u092e\u0923\u094d\u0921\u0932\u093f\u0915\u093e \u0924\u0924\u0903 |<\/p>\n<p>\u1e63o\u1e0da\u015b\u0101dh\u0101rasvar\u016bpamapi tatraiva ||<br \/>\nm\u016bl\u0101dh\u0101rasv\u0101dhi\u1e63\u1e6dh\u0101na\u1e43 ma\u1e47ip\u016braman\u0101hatam |<br \/>\nvi\u015buddham\u0101j\u00f1\u0101cakra\u00f1ca bindurbh\u016bya\u1e25 kal\u0101padam |<br \/>\nnibodhik\u0101 tath\u0101rddhendurn\u0101do n\u0101d\u0101nta eva ca |<br \/>\nunman\u012b vi\u1e63\u1e47uvaktra\u00f1ca dhruvama\u1e47\u1e0dalik\u0101 tata\u1e25 |<\/p>\n<p><em>In addition to the cakras, from m\u016bl\u0101dh\u0101ra to \u0101j\u00f1\u0101, there are listed bindu, kal\u0101, pada, nibodhika, ardhendu, nada, n\u0101d\u0101nta, unma\u1e47i, vi\u1e63\u1e47uvaktra, dhruvama\u1e47\u1e0dala.<\/em><\/p>\n<p>In fact, this is a unified psychophysical system of the <em>yogi<\/em><em>n<\/em> including also the macrocosm.<\/p>\n<p>In some texts, <em>adharas<\/em> are described as <em>grantha<\/em>s (nodes of the energy connections), for example, in the <em>Manthanabhaira-tantra<\/em>, in others \u2013 as <em>marmas<\/em> (in the <em>Yoga Y\u0101j\u00f1avalkya)<\/em>. In the last text, these <em>marmas<\/em> are used in the practice of <em>praty\u0101h\u0101ra<\/em>, in which, through the concentration of the mind, a <em>yogi<\/em> learns to collect his <em>pr\u0101\u1e47a<\/em> scattered throughout the body. The term &#8220;<em>marma<\/em>&#8221; is found in <em>\u0100yurveda<\/em>, in Indian martial arts and comes from the root of <em>m\u1e5b<\/em> meaning &#8220;death&#8221;, since the points were used to defeat the enemy. In these systems, <em>marmas<\/em> are numerous, and they are localised at the junction of different body systems, etc. Nevertheless, the points can play a healing function, so the <em>m\u1e5bta<\/em> (death) becomes an <em>am\u1e5bta <\/em>(life) or a path from <em>mara<\/em> to <em>amara<\/em> (immortality).<\/p>\n<p>All these details in their entirety at the applied level can be transferred to the disciple only by a <em>guru<\/em>, who, without any doubt, must realise them in the most perfect form in himself.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Such elements as cakras, adharas, lak\u1e63yas and vyomas are not always clearly described in the Natha texts and Tantras. Therefore, it is often necessary to use different texts for &#8220;complementarity.&#8221; There is another perfect way, the presence of a knowledgeable &hellip; <a href=\"https:\/\/matsyendranatha.com\/?p=493\">Continue reading <span class=\"meta-nav\">&rarr;<\/span><\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[29,4,19],"tags":[54,51,53,52],"class_list":["post-493","post","type-post","status-publish","format-standard","hentry","category-natha-doctrine","category-texts","category-yogic-practice","tag-adhara","tag-cakra","tag-lakya","tag-vyoma"],"_links":{"self":[{"href":"https:\/\/matsyendranatha.com\/index.php?rest_route=\/wp\/v2\/posts\/493","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/matsyendranatha.com\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/matsyendranatha.com\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/matsyendranatha.com\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/matsyendranatha.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=493"}],"version-history":[{"count":2,"href":"https:\/\/matsyendranatha.com\/index.php?rest_route=\/wp\/v2\/posts\/493\/revisions"}],"predecessor-version":[{"id":495,"href":"https:\/\/matsyendranatha.com\/index.php?rest_route=\/wp\/v2\/posts\/493\/revisions\/495"}],"wp:attachment":[{"href":"https:\/\/matsyendranatha.com\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=493"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/matsyendranatha.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=493"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/matsyendranatha.com\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=493"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}