The fifth makara in tantra practice

I translated a small part of the Experience in Spiritual Practice (साधना के अनुभव), the book by Rameshchandra Sharma. I think this information will be useful for many practitioners to understand the maithuna topic in Tantrism. It is necessary to practice the maithuna ritual when the sexual energy stagnates in the area of the mūlādhāra and svādhiṣṭhāna cakras. When the kuṇḍalinī ascends, the practice with it becomes a form of yoga, which is mainly contemplative. Of course, these boundaries are very relative, however, there is a general principle of connecting the two poles in order to sublimate our vision and energy. Here is the text:

The Fifth of the Five Makaras

In tantric sādhanā, the practice of pañcamakāra is found. Practice with madya (wine), māmsa (meat), etc., it can also be done with their substitutes. In the pañcamakāra, the fifth is associated with the sense-oriented pūjā, which is known as maithuna. In essence it leads to the regulation of the semen. Maithuna is also called “latasādhanā“, it is a special practice for awakening the svādhiṣṭhānacakra.

Often after the awakening of the kuṇḍalinī, when vāyu (energy) rises to the svādhiṣṭhānacakra, kāma (passion), ascending there, begins to transform into what we know as yogasādhanā. Through the identification of a woman with Devī (Goddess) and himself with Śiva, the practitioner leaves the gross states of the physical body, and his spirit and consciousness are directed to the sphere of spiritual consciousness. This often happens when practicing a mantra with prāṇāyāma. The power in the svādhiṣṭhāna or maṇipūracakra begins to intensify and the practitioner through asceticism becomes an ūrdhvareta – one, whose ascending sexual power is sublimated. Near the maṇipūracakra (just below it) in a woman is the womb (garbhāśaya), which is the most important area in their body. 

So, from the svādhiṣṭhānacakra to the maṇipūracakra there is a point of two poles, the connection of the spiritual and the physical. and through the practice of japa you connect these centers in a pure sāttvic state. In a state of full bloom of power, at the beginning of the practice, you use a special method, thanks to which the power increases and moves further in the direction of the anāhatacakra. Mental worship is the essence, thanks to which everything basic happens there.

In the daily pūjā you can invoke the Goddess into a red flower (yellow in the case of Bagalāmukhī), and invoke Śiva in a white flower. Place the flower where the Goddess is on top of the white flower of Śiva, that will be the symbol of viparīta-rati, symbolically connecting Śiva and Śakti.

Bagalāmukhī as a relevant Goddess for śaktas, śaivas and vaiṣṇavas.

I would like to give a short quote from the Svatantra Tantra about the appearance of the Goddess Bagalāmukhī and her connection with Śrīvidyā, also Viṣṇu and Śiva.

अथ बक्ष्यामि देवेशि बगलोत्पत्ति कारणम्।
पुरा कृत युगे देवि वात क्षोभ उपस्थिते।।

Now, Mistress of the Gods, listen to the reason for the appearance of Bagalāmukhī. A long time ago, a great hurricane appeared in the Satya Yuga.

चराचर विनाशाय विष्णुश्चिन्ता परायणः।
तपस्यया च संतुष्टा महात्रिपुर सुन्दरी।।

All living and non-living began to collapse. Seeing this, Viṣṇu fell into contemplation and in this way he satisfied Mahātripurasundarī.

हरिद्राख्यं सरो दृष्ट्वा जल क्रीड़ा परायणा।
महाप्रीति हृदस्थान्ते सौराष्ट्र बगलाम्बिका।।

Seeing how in the playing waters of the Haridra lake (Turmeric lake) in Saurāṣṭra (now Gujarat), Mother Bagalāmukhī appeared in the heart of the Goddess (Tripurasundarī).

Further, the text says that heat (or light) emerged from Śrīvidyā (Tripurasundarī) and from there spread everywhere, stopping the hurricane. This happened on the fourteenth lunar day (Caturdaśī tithi) connected with Tuesday when the sun was in Capricorn (Makara), also on the night known as Vīrarātri (the heroic night).

Bagalāmukhī is considered as a part of Śrīvidyā Tantra and in her four-armed form she is in many ways identical to Tripurasundarī. There is also a story in the Rādhā Tantra about how Viṣṇu practiced tapasya and could not get success in sadhanā, after which the Goddess Śrī (Tripura) appeared to him and said that he need to manifest with her in Mathura, she would manifest in the form of Rādhikā. And worshiping Kalī in her by the kaulācāra methods, he, being Kṛṣṇa, will reveal all his siddhis. This happened because of the worshipping Rādhā as Parakīyaśakti, Viṣṇu (Kṛṣṇa) gained all success and destroyed many demons. The most interesting thing in all these stories is that the Goddess Śrī can be considered as Lakṣmī, but she is also Tripurasundarī, and we know that Śiva is Bhairava of Tripurasundarī. Thus, based on the analysis of these stories, we see that Viṣṇu and Śiva are one Deity –– Harihara. Also, Lakṣmī and Śrī, who were worshiped by Kṛṣṇa, may be Kalī, whom Kṛṣṇa invoked in them. This wonderful story allows you to cover a lot. We also know that Bagalāmukhī is a stambhinīśakti, she can represent not only the power of Mahāmṛtyuñjaya, but also the sthitiśakti of Viṣṇu. The Sāṃkhyāyana Tantra (Paṭala 35) describes Bagalāmukhī as one who is revered as Kalī in the uttara and urdhva āmnāyas. There is also a description of her as the one on the left side of which is Kalī, and on the right side is Tripurasundarī. Bagalāmukhī includes these two Goddesses who embrace Kalī and Śrī Kūlas.